19.3.12

"ΠΕΘΑΙΝΩ ΣΑN ΧΩΡΑ" του Δ.Δημητριάδη στο cineθέατρο ΤΡΙΑΝΟΝ // "Dying As Country" by D.Dimitriadis / directed by Tasos Sagris for +the Institute [for Experimental Arts]


































To +Iνστιτούτο [Πειραματικών Τεχνών]
http://theinstituteinfo.blogspot.com
 
παρουσιάζει την παράσταση 

"ΠΕΘΑΙΝΩ ΣΑN ΧΩΡΑ" 
του Δ. Δημητριάδη 

...το παρελθόν, το παρόν
και το μέλλον μιας 

κοινωνίας που καταρρέει...


σκηνοθεσία / κείμενο: Τάσος Σαγρής
παίζουν: Σίσσυ Δουτσίου, Σοφία Σταυρακάκη,
Άλκηστις Πολυχρόνη, Δανάη Νικολαΐδη 
Μulti Μedia: Void Optical Art Laboratory 
Venus Melena | A.Καφετζη | Μ. Γκουνελας
Ηχητικά Περιβάλλοντα: Γ.Κουβαράς 
Μουσική: Mogwai, Slowdive,   
God Speed You Black Emperor,
Sigur Ross 

ΜΑΡΤΙΟΣ 2012
ΠΡΕΜΙΕΡΑ: 
ΠΕΜΠΤΗ 22 ΜΑΡΤΙΟΥ 2012
9 ΠΑΡΑΣΤΑΣΕΙΣ:
ΚΑΘΕ 
ΠΕΜΠΤΗ | ΠΑΡΑΣΚΕΥΗ | ΣΑΒΒΑΤΟ
ΠΕΜ. 22 / 03 / 12
ΕΩΣ ΣΑΒ. 07 / 04 / 12
ώρα έναρξης 21.00

4 παραστασεις ΘΕΣΣΑΛΟΝΙΚΗ
από Πεμ. 10 / 5 έως Κυρ. 13 / 5
Θέατρο ΟΡΑ
Aντ. Καμάρα 3 & Τσιμισκή 139
ΕΙΣΟΔΟΣ: 15e / 10e / 5e 


+ 3 ΠΑΡΑΣΤΑΣΕΙΣ ΙΩΑΝΝΙΝΑ
από Παρ. 18/5 έως Κυρ. 20/5
Θέατρο ΠΟΛΥΘΕΑΜΑ 
ΕΙΣΟΔΟΣ: 10e

ΕΠΟΜΕΝΕΣ ΠΑΡΑΣΤΑΣΕΙΣ :

+ 4 ΤΕΛΕΥΤΑΙΕΣ παραστάσεις ΑΘΗΝΑ
Θερινό Σινεθέατρο ΤΡΙΑΝΟΝ
KYΡ. 24 / ΔΕΥΤ. 25 / 
ΤΡ. 26 / ΤΕΤ. 27 ΙΟΥΝΙΟΥ 2012
έναρξη 21.30


ΕΙΣΟΔΟΣ: 10e / 8e φοιτητικό / δωρεάν με κάρτα ανεργίας 
cineθέατρο
ΤΡΙΑΝΟΝ
Κοδριγκτώνος 21 & Πατησίων 101
Πλ. Βικτωρίας / Αθήνα
κρατήσεις θέσεων: 210 8215469

με την υποστήριξη από το
ΚΕΝΟ ΔΙΚΤΥΟ:

περισσότερες πληροφορίες:



Το θεατρικό έργο «ΠΕΘΑΙΝΩ ΣΑΝ ΧΩΡΑ» του Δημήτρη Δημητριάδη από το +Ινστιτούτο [Πειραματικών Τεχνών] σε σκηνοθεσία Τάσου Σαγρή, είναι μια προσεχτική και ενδελεχής καταγραφή της ολικής κατάρρευσης μιας κοινωνίας. Μετά από «χίλια χρόνια» συνεχούς ανισότητας, εκμετάλλευσης, οικονομικής κρίσης και πολέμου που διακόπτονται από σύντομα χρονικά διαλείμματα ψεύτικης αφθονίας και επίπλαστης ειρήνης, το νόημα της ανθρώπινης συνύπαρξης και της κοινωνικής ζωής καταρρέει για πάντα. Η σύγκρουση ανάμεσα στις κυρίαρχες δυνάμεις της συντήρησης και τις απέλπιδες προσπάθειες ανανέωσης της κοινωνίας φτάνει στην οριακή της έξαρση. Τότε πλέον, οι γυναίκες χάνουν την ικανότητα τους να γεννούν παιδιά, η ζωή χάνει την δύναμη της να αναπαραχθεί. Αυτό έχει σαν άμεσο αποτέλεσμα να μεταλλαχθεί ο κοινωνικός ιστός σε τέτοιο βαθμό ώστε η «Χώρα» καταρρέει με ένα κύμα καταστροφών και μαζικών δολοφονιών που συνταράσσουν τα θεμέλια της Ιστορίας. Κάθε θεσμός καταστρέφεται από τους κατοίκους της χώρας, όλα ξαφνικά γίνονται άγνωστα και απειλητικά, η ζωή γίνεται μια παγίδα θανάτου. Κάποια χρόνια μετά, και όταν πλέον όλα έχουν αλλάξει και δεν έχει μείνει τίποτα από την ζωή όπως την γνωρίζαμε, τέσσερις ηρωίδες διαφορετικής ηλικίας (το παρόν, το παρελθόν και το μέλλον) μας περιγράφουν την ιστορία του τέλους μιας κοινωνίας, το τέλος μιας «Χώρας», την τρομακτική κατάληξη μιας εποχής που ίσως είναι η εποχή μας… 



"(…) Όποιος δεν έχει δει ανθρώπους να πεθαίνουν σφυροκοπημένοι από αόρατο χέρι στους δρόμους δεν μπορεί να καταλάβει τι σημαίνει και τι είναιο θάνατος μιας χώρας.
Μα και να αντικρίζεις το σύσσωμο θάνατο μιας κοινωνίας ισοδυναμεί με το να εξαντλείς ολόκληρη την ζωή. Τη ζωή της μέρας όμως… Όλες αυτές τις θυσίες και τα έργα και το χρυσό φως της μέρας. Γιατί πίσω από το φως της μέρας κρύβεται η ζωή της νύχτας… Οι σκοτεινές επιθυμίες και τα παράνομα σχέδια, οι πράξεις ενάντια στο καθεστώς και σ’ όλα όσα θεωρούνται δεδομένα, η καταστροφική δύναμη της διασάλευσης των κοινωνικών πλαισίων, οι κραυγές της μανίας και της τρέλας… Κανένας δεν μπορεί να καταλάβει το τέλος μιας κοινωνίας αν δεν καταλάβει πρώτα την Ιστορία της νύχτας της… Η Χώρα, εκτός από τα εχθρικά στρατεύματα και τα αντικρουόμενα οικονομικά συμφέροντα είναι περικυκλωμένη και από το άυλο αλλά ανθεκτικό πλέγμα των φρικιαστικών διαταραχών των κατοίκων της. Τώρα πια, όλοι αυτοί έχουν δει με τα ίδια τους τα μάτια το σάπιο μεδούλι μες στα κόκκαλα της γης τους. Το μεδούλι της Χώρας σάπισε….Μισώ αυτή την Χώρα…. Μου έφαγε τα σπλάχνα. Εγώ δεν θέλω να είμαι μια Χώρα. Δεν είμαι πια άνθρωπος. Ούτε και εσύ πια είσαι άνθρωπος.
Μας τα πήρε όλα αυτή...Τι θα μείνει όμως από αυτήν όταν πια δεν θα έχει μείνει τίποτα από εμάς; Το σώμα μου έχει πάρει τις διαστάσεις της. Έχω μέσα μου την μοίρα της. Πεθαίνω Σαν Χώρα..."
 


Το Ινστιτούτο Πειραματικών Τεχνών (Τhe Institute for Experimental Arts) είναι μια πλατφόρμα δημιουργικής έκφρασης και έρευνας στα πεδία του θεάτρου,της εικαστικής performance, των multi media εγκαταστάσεων, της ποιητικής επιτέλεσης και της θεωρίας της Τέχνης. Το Ινστιτούτο όντας μια ανοιχτή συνάντηση ποιητών-συγγραφέων, σκηνοθετών, ηθοποιών, τεχνικών/συντελεστών, performance artists, φωτογράφων, εικαστικών του video art και αναλυτών της σύγχρονης Τέχνης, των media και της επικοινωνίας σκοπό έχει την κατασκευή καταστάσεων, την κατάθεση ερμηνευτικού και εκπαιδευτικού έργου, την καλλιέργεια της ριζοσπαστικής θεωρίας / καλλιτεχνικής πράξης και την επικοινωνία με ένα ευρύτερο κοινωνικό σώμα που θα υπερβαίνει τα στεγανά και τους περιορισμούς της εμπορευματικής και καθεστωτικής κυρίαρχης κουλτούρας. 
To Ινστιτούτο Πειραματικών Τεχνών εμφανίστηκε στην Αθήνα το 2011 με την παράσταση "Οι Δούλες" του Ζαν Ζενέ

περισσότερες πληροφορίες:
http://theinstituteinfo.blogspot.com/
επαφή:
 theinstitutecontact@gmail.com


Διαβάστε επίσης ΣΥΝΕΝΤΕΥΞΗ:
Ο σκηνοθέτης Τάσος Σαγρής μιλά για τη νέα παράσταση του Ινστιτούτου Πειραματικών Τεχνών, που είναι βασισμένη στο εμβληματικό μυθιστόρημα του Δημήτρη Δημητριάδη.
http://www.lifo.gr/team/pathologika/29523







The +Institute
[for Experimental Arts]
http://theinstituteinfo.blogspot.com

presents the drama play

" DYING AS COUNTRY "

written by Dimitris Dimitriadis
directed by Tasos Sagris


...the past, the present and the future
of a collapsing society ...


starring: Sissy Doutsiou, Sofia Stavrakaki,
Alkistis Polychroni, Danai Nikolaidi

multi media by Void Optical Art Laboratory
Venus Melena | A.Kafetzis | M.Gounelas
sound environments: G. Kouvaras
musical fragments from Mogwai, 
God Speed You Black Emperor,
Sigur Ross, Slowdive and more


MARCH 2012

PREMIERRE: 
THURSDAY 22 MARCH 2012
Every Thursday | Friday | Saturday
from 
Thur. 22 / 03 / 12 
until Sat. 07 / 04 / 12 


entrance 10e / students 8e
+ free entrance for people
with unemplοyment card


supported by
VOID NETWORK
http://voidnetwork.blogspot.com

cinetheatre TRIANON
21, Kordigtonos st. &101, Patision st. 
VICTORIA metro station
ATHENS GREECE



more info:

11.3.12

UNDERGROUND RESISTANCE: Psychedelic Trance Temporary Autonomus Ecstatic Zone: SAT. 17-3-2012 Athens Low School (NOMIKH SXOLH ATHINAS)
















VOID NETWORK
http://voidnetwork.blogspot.com

presents

UNDERGROUND RESISTANCE
temporary autonomous ecstatic zone

SATURDAY 17 MARCH 2012

ATHENS LAW SCHOOL
NOMIKH SXOLH / odos Akadimias 45

starts 22.30

Underground
Psychedelic Trance by

23.00 - 24.30 VALERY (void network)
24.30 - 01.30 UNDERVERSE (natural high)
01.30 - 02.30 PSYSLOT (105fm.org)
02.30 - 03.30 ENTON (void network)
03.30 - 05.00 TEO (disco valley)
05.00 - 06.00 CRYSTAL ZERO (void network)
06.00 - 07.30 PASHANOI (void network) 







+ Psychedelic Light Show & Visual Art by 




Void Optical Art Laboratory
Disgust, poverty, and indignation are not enough for the war to explode! We need events, situations, actions. But the most difficult question follows the moment of action: why is our activism so lifeless when the action is over? For the point is not just to create explosive moments, but to make our lives into explosions! And political militancy is not enough for that… The enemy of freedom also lurks within every person who tries to protect himself behind all the things he already knows, all he owns, all that is familiar… He who carries the old world inside him is already old.
How wise can a rock be? How unique? 

We are so careful with ourselves, so possessive of ourselves, but for all our petty property and properties, we are nothing. Yet we must be everything!

We have to destroy once and for all this image of self that mesmerizes us: “keep the balance,” “play it safe,” “count on what is certain.” Let no one ever say again: "This one is a rioter, this one is an intellectual, this one an alcoholic, this one hard-working, this one crazy, this one dead…” We take on roles and play them to the point of our own collapse… They have us used to existing in this way, to remaining predictable, categorized, isolated, ordinary! ... But even Eros can play a role: not for identifying ourselves as libertines, monogamous, gay or straight--that’s enough declarations, enough of their pseudo-emancipatory convenience! We are our embarrassment--we are our fears--and much more, we are the overcoming of our fears. And now we know something we can no longer avoid: 

WE ARE THE CENTER OF THIS WORLD

TO BLOW UP THIS WORLD, 
WE HAVE TO BLOW OURSELVES UP WITH IT!

NOTHING WILL EVER CHANGE 
IF WE REMAIN THE SAME…

WE WILL FIGHT AGAINST ANYTHING 
THAT SUSTAINS EXPLOITATION AND TOTALITARIANISM!

WE ARE RAGING FOR LIFE, EROS, 
EQUALITY, AND TOTAL FREEDOM



VOID NETWORK
Athens, London, New York, Rio De Janeiro











more photos:
http://www.facebook.com/media/set/?set=a.275050192569943.64469.100001948921658&type=3

4.3.12

UTOPIAN TECHNOLOGIES # 4 / Space Music Free Festival / Fr. 9 & Sat. 10 March 2012 NOSOTROS Free Social Space / Athens Greece



























ΚΕΝΟ ΔΙΚΤΥΟ
http://voidnetwork.blogspot.com
VOID NETWORK 
presents

UTOPIAN 
TECHNOLOGIES # 4
[ Space Music Free Festival ]

2 Days Live Concerts | D.J. sets | 
Poetry | Multi Media Show |
Audio & Visual Experience 

Nosotros
free social space
themistokleous 66 
exarchia athens
starts 22.00

Παρ. 09 Μαρτίου 2012

22:30 - 23:30 Sissy Stardust
23:30 -00:30 Max Million
00:30 -01:30 Odiolab
01:30- 02:30 Fishimself
02:30- 03:30 War
 
Σαββ. 10 Μαρτίου 2012

21:30-22:30 dj Vertigo
22:30-23:30 JUAKALI
23:30-24:30 SIDE LINER
24:30- 01:30 SYGNALS
01:30-02:30JUNIOR X
02:30-end dj Crystal Zero vs Raman

ποιητικές παρεμβάσεις: 
Τάσος Σαγρής, Γιάννης Ραουζαίος,
Σίσσυ Δουτσίου, Ορέστης Μπατάκης
 
+ all festival MULTI MEDIA:
Void Optical Art Laboratory

more info: 

 




video from UTOPIAN TECHNOLGIES#1 SISSY STARDUST will appear in first day of UTOPIAN TECHNOLGIES#4 in Friday 09-3-2012





all festival visual by VOID OPTICAL ART LABORATORY: here a link from 3 days non stop Void Optical Art Lab visual shows in all stages of Gathering of the Tribes fest in Frankfurt in 2008

17.2.12

Saturday 18 February 2012 Global Demonstration! For Greece, for Ourselves, for All the Possible Reasons, for All the Life of this Planet! WE ARE FIGHTING FOR OUR FUTURE! + article/global invitation:"Greece shows us how to protest against a failed system" by John Holloway



More than 300.000 people participated at the social revolt that took place in 12 February 2012 in Athens. Many thousands took the streets all over Greece... Thousands of students demonstrated all over Greece in 17 Feb. 2012. The social struggle against misery, inequality and exploitation continues, expands and becomes stronger and stronger. People from all cultural backgrounds come together in the neighbourhood assemblies, in the grass-roots unions, the social centers, the big demonstrations and the riots. People from all ages help each other in the streets to attack against police, against the parliament, against the economy and the inhuman austerity measures that the global and local economic elites imposes to the people of this world
We invite all our friends to participate all over the world in the demonstrations at 
Saturday 18 February 2012 
for Greece, for ourselves, for all the possible reasons, for all the life of this planet! WE ARE FIGHTING FOR OUR FUTURE!


Void Network publishes here an invitation for 18 February and an analysis / call out by our best friend John Holloway written for The Guardian:


Greece shows us how to protest against a failed system | John Holloway

The rage displayed in Greek cities against austerity measures inspires all who are suffering for the benefit of banks and the rich

I do not like violence. I do not think that very much is gained by burning banks and smashing windows. And yet I feel a surge of pleasure when I see the reaction in Athens and the other cities in Greece to the acceptance by the Greek parliament of the measures imposed by the European Union. More: if there had not been an explosion of anger, I would have felt adrift in a sea of depression.
The joy is the joy of seeing the much-trodden worm turn and roar. The joy of seeing those whose cheeks have been slapped a thousand times slapping back. How can we ask of people that they accept meekly the ferocious cuts in living standards that the austerity measures imply? Do we want them to just agree that the massive creative potential of so many young people should be just eliminated, their talents trapped in a life of long-term unemployment? All that just so that the banks can be repaid, the rich made richer? All that, just to maintain a capitalist system that has long since passed its sell-by date, that now offers the world nothing but destruction. For the Greeks to accept the measures meekly would be to multiply depression by depression, the depression of a failed system compounded by the depression of lost dignity.
The violence of the reaction in Greece is a cry that goes out to the world. How long will we sit still and see the world torn apart by these barbarians, the rich, the banks? How long will we stand by and watch the injustices increase, see the health service dismantled, education reduced to uncritical nonsense, the water resources of the world privatised, communities wiped out and the earth torn up for the profits of mining companies?
The attack that is so acute in Greece is taking place all over the world. Everywhere money is subjecting human and non-human life to its logic, the logic of profit. This is not new, but the intensity and breadth of the attack is new, and new too is the general awareness that the current dynamic is a dynamic of death, that it is likely that we are all heading towards the annihilation of human life on earth. When the learned commentators explain the details of the latest negotiations between the governments on the future of the eurozone, they forget to mention that what is being negotiated so blithely is the future of humanity.
We are all Greeks. We are all subjects whose subjectivity is simply being flattened by the steamroller of a history determined by the movement of the money markets. Or so it seems and so they would have it. Millions of Italians protested over and over again against Silvio Berlusconi but it was the money markets that brought him down. The same in Greece: demonstration after demonstration against George Papandreou, but in the end it was the money markets that dismissed him. In both cases, loyal and proven servants of money were appointed to take the place of the fallen politicians, without even a pretence of popular consultation. This is not even history made by the rich and powerful, though certainly they profit from it: it is history made by a dynamic that nobody controls, a dynamic that is destroying the world, if we let it.
The flames in Athens are flames of rage, and we rejoice in them. And yet, rage is dangerous. If it is personalised or turned against particular groups of people (the Germans, in this case), it can so easily become purely destructive. It is no coincidence that the first minister to resign in protest against the latest round of austerity measures in Greece was a leader of the extreme right party, Laos. Rage can so easily become a nationalist, even fascist rage; a rage that does nothing to make the world better. It is important, then, to be clear that our rage is not a rage against the Germans, not even a rage against Angela Merkel or David Cameron or Nicolas Sarkozy. These politicians are just arrogant and pitiful symbols of the real object of our rage – the rule of money, the subjection of all life to the logic of profit.
Love and rage, rage and love. Love has been an important theme in the struggles that have redefined the meaning of politics over the last year, a constant theme of the Occupy movements, a profound feeling even at the heart of the violent clashes in many parts of the world. Yet love walks hand in hand with rage, the rage of "how dare they take our lives away from us, how dare they treat us like objects". The rage of a different world forcing its way through the obscenity of the world that surrounds us. Perhaps.
That pushing through of a different world is not just a question of rage, although rage is part of it. It necessarily involves the patient construction of a different way of doing things, the creation of different forms of social cohesion and mutual support. Behind the spectacle of the burning banks in Greece lies a deeper process, a quieter movement of people refusing to pay bus fares, electricity bills, motorway tolls, bank debts; a movement, born of necessity and conviction, of people organising their lives in a different way, creating communities of mutual support and food networks, squatting empty buildings and land, creating community gardens, returning to the countryside, turning their backs on the politicians (who are now afraid to show themselves in the streets) and creating directly democratic forms of taking social decisions. Still insufficient perhaps, still experimental, but crucial. Behind the spectacular flames, it is this searching for and creation of a different way of living that will determine the future of Greece, and of the world.
For this coming Saturday action throughout the world has been called for in support of the revolt in Greece. We are all Greeks.

 

 

 



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